Hidden People

by Miha Hočevar

Skriti ljudje, fiction
In production

Guti (35, Slovenian) and Sig (50, Icelander) wake up naked and handcuffed to one another on a riverbank near Ljubljana. Sig suffers from memory loss, while Guti recalls a fight with skinheads Sid drunkenly participated in and Guti tried peacefully to intervene in. Sig has no passport or any clue about his identity—the skinheads have taken everything he owned. Guti is trying to build a new home for himself on a river raft after losing his house to the bank and his life to his ex-wife. He introduces Sig to his friends—suburban misfits, who remind Sig of a legend of the hidden people. The film is a fairy-tale dramedy about new beginnings. It is also a self-ironic story about small countries and nations (Slovenia and Iceland) in the “big” Europe; about the unexpected connections that can help us find our place under the sun and continue with our lives. Finally, it is also about a vast number of invisible people who feel like “internal refugees” in the European societies they are a part of.

Srdjan Koljević, Miha Hočevar
Miha Hočevar
Danijel Hočevar
Igor Kecman, Jelena Mitrović
director of photography
Simon Tanšek
production designer
Neža Zinajić
key make-up artist
Mojca Gorogranc Petrushevska
Blaž Šef, Ana Urbanc, Barbara Ribnikar, Igor Samobor, Luka Marčetić, Gregor Gruden, Janez Hočevar
RTV Slovenija, Backroom Production
in collaboration with
Film Studio Viba Film
Slovenian Film Centre, Film Center Serbia, Re-Act, Creative Europe - MEDIA


Danijel Hočevar

Miha Hočevar

Miha Hočevar (1963) created and directed hundreds of commercials—including certain TV commercials that have been very successful and popular. He writes scripts too. So far, he directed five features and several shorts. Three of his features – Going Our Way 2 (2013), Going Our Way (2010), and Fuck It (2000) – were major box-office successes in Slovenia and are second and sixth biggest Slovenian box-office hits of all time.

Vertigo is a Ljubljana (Slovenia)-based production company with a distinctive track record and extensive working experience on international co-productions and narrow budget films. They produced more than 40 feature films, as well as more than 20 documentaries and 50 short films and TV productions, incl. the award-wining films such as Wake Me by Marko Šantić (2022, PÖFF Critics Pick Competition Programme), The Happiest Man In The World by Teona Mitevska (2022, La Biennale Orizzonti competition, Toronto IFF Competition), Disappearance by Andrina Mračnikar (2022, Graz Diagonale FF 2022: Audience Award), Small Body by Laura Samani (2021, Cannes World Premiere – Critics’ Week in Competition, TIFF – Contemporary World Cinema, BFI London Film Festival – Special Commendation), Reconciliation by Marija Zidar (2021, CPH:DOX, Sarajevo FF, IDFA), Otac / Father (2020, Berlinale Panorama: Audience Award and Ecumenical Prize) and Circles (2013, Sundance FF World Cinema Competition’s Jury Prize), both directed by Srdan Golubović, God Exists, Her Name Is Petrunya (2019, Berlinale Competition: Ecumenical Award and Guild Prize) by Teona Mitevska, Half-Sister (2019, Karlovy Vary IFF Main Competition), Nightlife (2016, Karlovy Vary IFF’s Best Director Award), Slovenian Girl (2009, Toronto IFF) and Spare Parts (2003, Berlinale Competition), all directed by Damjan Kozole, An Episode in the Life of an Iron Picker (2013, 2 Berlinale Silver Bears) by Danis Tanović, Alexandrians (2011, Trieste Film Festival Best Documentary) by Metod Pevec and Bread and Milk (2001, Venice FF’s Lion of the Future Award) by Jan Cvitkovič.