Kismet

by Žiga Virc

Kismet, 2024, fiction, digital DCP, 1,33:1 (4:3), 24, c, 14 min
Finished
SI, HR
Milena (11), a spirited Muslim Romani girl, juggles her school aspirations with the chaos of her sister Bogdana's (16) wedding preparations in their impoverished village. As traditions clash with modern dreams, Milena's first menstruation symbolizes her fear of being forced into an early marriage. Written in collaboration with and portrayed by native Romani, the film delves into a pre-wedding game where Milena struggles to challenge the fate (kismet) imposed on her by tradition.
screenwriter
Iza Strehar
director
Žiga Virc
producer
Boštjan Virc
co-producer
Siniša Juričić
associate producers
Tadej Koren Šmid, Martina Lajtner
animator
Nenad Radojčić
director of photography
Fabris Šulin
film editor
Špela Murenc Škulj
costume designer
Zorana Meić
key make-up artist
Tamara Radinger
sound designer
Simon Penšek
featuring
Jador Delić, Severina Lajtman, Dijana Delić
production
Studio Virc
co-production
Nukleus film, Korektif
co-funding
Slovenian Film Centre, Croatian Audiovisual Centre, Film Studio Viba Film
sales
Radiator IP Sales
Žiga Virc

Žiga Virc (1987, Novo mesto) is a Slovenian film director and screenwriter. He ia a graduate of the Academy of Theatre, Radio, Film, and Television (AGRFT) in Ljubljana. Virc gained international recognition with his student film Trieste Is Ours! (2010), which was nominated for the Student Academy Awards. He directed the acclaimed hybrid documentary Houston, We Have a Problem! (2016), which premiered at Tribeca, and the 2023 documentary Summer of '91. His latest feature film is The Last Hero (2023).

“"Kismet" is a film that delves into the roles of women, questioning traditional gender expectations and exploring the complexities of female identity within Muslim Romani culture, focusing on the experiences of young Romani women. Film captures the pivotal moments of their lives as they navigated cultural pressures and societal norms. This narrative sheds light on universal themes of identity, tradition, and self-determination within a marginalized community. Our personal connections to these themes, stemming from our childhoods in Roma-populated regions, drove our commitment to an authentic portrayal of Roma culture. Filming "Kismet" was an inspirational experience, enhanced by working exclusively with native Romani people and filming on location. The Romani community welcomed us with open arms, sharing their stories and traditions, which enriched the film's authenticity. "Kismet" is not just about Romani culture; it serves as a mirror reflecting general societal norms and traditions. We aimed to provoke reflection on cultural coexistence, freedom, and the roles of women. A central theme of the film is the delicate balance between maintaining traditions that are vital for building identity and the need for progress, especially for younger generations striving to move forward in their lives. Traditions should not be discarded lightly, as they are essential to cultural identity, but there must also be room for growth and adaptation. By highlighting the often-overlooked perspectives of Romani women, we hope their stories inspire broader discussions about empathy, equality, and the importance of understanding diverse cultures. Our ultimate goal is to foster a deeper appreciation of cultural coexistence and shared humanity, recognizing the importance of both preserving valuable traditions and embracing necessary progress. Žiga Virc and Iza Strehar”