My Late Summer

by Danis Tanović

Pozno poleti, orig. Nakon ljeta, 2024, fiction, co-production, digital DCP, 2,39:1/2,35:1, 24, c, 98 min
Finished

HR, BA, RS, SI, RO

The story of a young woman who, in search of her roots on a small island, experiences an unexpected romance in late summer that evolves into a tale of acceptance, forgiveness, and love towards others, towards the island, and most importantly, towards herself.

screenwriters
Anja Matković, Nikola Kuprešanin, Danis Tanović
director
Danis Tanović
producers
Lana Matić, Boris T. Matić
co-producers
Jelena Mitrović, Srdan Golubović, Jovan Marjanović, Mirsad Purivatra, Anamaria Antoci, Miha Černec, Jožko Rutar
executive producer
Ivan Perić
director of photography
Miloš Jaćimović
music composer
Livina Tanović
film editor
Redžinald Šimek
production designer
Veronika Radman
costume designer
Dubravka Skvrce
key make-up artist
Silvija Bradica
sound designers
Marian Balan, Marius Leftarache

featuring
Anja Matković, Uliks Fehmiu, Goran Navojec, Mario Knezović, Marija ŠKaričić, Mirela Brekalo, Snježana Sinovčić Šiškov, Luka Juričić, Boris Ler, Ivana Roščić, Jadranka Matković

production
Propeler Film
co-production
Obala art centar, Film House Baš Čelik, Tramal Films, Tangaj Production, BH Telecom
co-funding
Croatian Audiovisual Centre, Centrul Național al Cinematografiei, Sarajevo Film Fund, Ministry of Culture and Sports of Sarajevo Canton, Film Center Serbia, Creative Europe - MEDIA (Slate development), Slovenian Film Centre

Stara Gara
Miha Černec
miha@staragara.com

Danis Tanović was born in 1969 in Bosnia and Herzegovina. He was awarded for Best Screenplay at the Cannes Film Festival in 2001 for his debut film "No Man's Land" and won the Oscar for Best Foreign Language Film in 2002. "No Man's Land" received over 50 awards at international festivals. For the films "An Episode in the Life of an Iron Picker" and "Death in Sarajevo", Tanović was awarded the Silver Bear at the Berlin Film Festival in 2013 and 2016, respectively. He currently resides in Sarajevo.

“The story intrigued me because it combines and intertwines a serious drama of self-discovery, forgiveness, and self-acceptance with the organic humor characteristic of Dalmatia and its islands. This is a concept that is rarely successfully executed, especially in regional cinematography. Therefore, this screenplay was a true refreshment and a personal incentive and challenge for me to direct.”